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TRIANGLE

May 1st to May 30th, 2021

Jillian Barber, Ceramic Sculptor; Brooke Hammerle, Photographer; Meredith LeBlanc, Painter


“Triangle” features the work of three artists who share a focus on nature and the environment that surrounds them. Meredith LeBlanc, the daughter of artist Karen Nash, "was fortunate to have the encouragement to explore being creative in any way possible. Whether it's flowers, water, an intriguing detail - the beauty of the object creates a vibration in me to create something to share what I am feeling through paint and canvas. In turbulent times I rely on visual imagery to bring optimism to my life and hopefully those around me."

Brooke Hammerle calls her work "Gutter Funnies": "During the limited travel of the pandemic lockdown I decided to photograph in the streets of my neighborhood. My subject was trash, the proliferation of the discarded plastic bottles, cans, gloves, masks, and other general detritus in the gutters. These discarded items once serving a purpose were now abandoned, transforming through the process of destruction, decay, and oblivion. I was initially depressed and the weather of overcast and rainy days intensified these feelings. But it also created a sense of timelessness, a suspension of reality that inspired my imagination. As I photographed I found humor and irony in their mortality and beauty in small things."

Jillian Barber, well known ceramist, whose work is in the permanent collection at the Newport Art Museum and many galleries, has from childhood been fascinated with nature and the supernatural. "Her expressive work creates a personal mythology of dreamlike images. The portraits are exotic, richly textured and exquisitely detailed. Often working from plaster face castings, Barber’s masks invoke timeless mystery and magic."
- www.jillianbarber.com

May show card

Jillian Barber


Born in Staffordshire, England, Jillian Barber grew up in Westerly, RI and graduated from the Rhode Island School of Design. There she studied ceramics with Norm Schulman and glass with Dale Chihuly. Mythical portraits and imaginary creatures are enduring themes in Barber's ceramic sculpture. An artist from childhood, her fascination with nature, animals, faces, and costume continues today. Her expressive work creates a personal mythology of dreamlike images. The portraits are exotic, richly textured, and exquisitely detailed. Often working from plaster face castings, Barber's masks invoke timeless mystery and magic. For over 30 years, Barber was mask and costume designer for the Chorus of Westerly's Celebration of Twelfth Night. Dragons, unicorns, wild boars, stags, and wolves came alive on stage. Her fascination with mythical beasts, fairies, kings and queens had come to be and were also translated into clay. Barber's work has received a RISCA Fellowship in Design, numerous Katherine Forest Craft Foundation awards for excellence in ceramics, and over 100 juried awards. A retrospective, Vintage Jillian, was held at the Newport Art Museum where her work is in the permanent collection. Barber is represented by the Charlestown Gallery, the Fuller Gallery in Jamestown, RI where she resides, and Studio 460 in Wickford. Barber was invited to be Artist in Residence at the Ocean House in Watch Hill, Rl in January 2019 and 2020.
A video on Barber's life and art may be seen at Networks Rhode Island.


The Art of Jillian Barber

The Greenman
ceramic sculpture
The Greenman
15"h X 12"w X 4"d
750
Siren Mask
ceramic sculpture assemblage
Siren Mask
26"w X 18"h X 6"d
825
Fine China
ceramic sculpture assemblage
Fine China
16"h X 16"w X 3"d
650
Fruit Plate
ceramic sculpture assemblage
Fruit Plate
18.5"h X 17.5"w X 3"d
650
Blue Bird of Happiness
ceramic sculpture
Blue Bird of HappinessHope
10.5"h X 9.5"w X 2"d
350
Flower Faery
ceramic sculpture
Flower Faery
9"h X 9"w X 3"d
350
White Birds Nesting
ceramic sculpture
White Birds Nesting
9"h X 8"w X 3"d
275
Barber's Pond
ceramic portrait of the artist
Barber's Pond
22"l X 18.5"w X 5"d
NFS
Green Dragon with Flower
ceramic sculpture
Green Dragon with Flower
12.5"h X 10"w
450
Sphynx
ceramic sculpture
Sphynx
18"l X 10,5"w X 14"h
1,200
Panther
ceramic sculpture
Panther
20"h X 23'l X 15"h
1,400
Path to Paradise
ceramic sculpture
Path to Paradise
12.5"h X 10"w
450
Spring Rabbits
ceramic sculpture, jardiniere
Spring Rabbits
12"h X 12"w
450
Deep Blue Botanical Jardiniere
ceramic sculpture
Deep Blue Botanical Jardiniere
16.5"h X 9"w
450
Oceanic Jardiniere
clay sculpture
Oceanic Jardiniere
10"h X 10.5"w
350
Dragonfly Jardiniere
clay sculpture
Dragonfly Jardiniere
11"h X 7"w
250
Floral Sconce
ceramic sculpture
Floral Sconce
8.5"l X 10"w X 6"d
225
Mermaids Three
clay sculpture
Mermaids Three
each is 11" long
85 each
Elephant Bowl
ceramic sculpture
Elephant Bowl
4"h X 12"w
125
Green Child I
ceramic sculpture
Green Child I
325
Green Child II
ceramic sculpture
Green Child II
325
Turtle
ceramic sculpture
Turtle
250

Brooke Hammerle


During the limited travel of the pandemic lockdown I decided to photograph in the streets of my neighborhood. My subject was trash, the proliferation of the discarded plastic bottles, cans, gloves, masks, and other general detritus in the gutters. These discarded items once serving a purpose were now abandoned, transforming through the process of destruction, decay, and oblivion. I was initially depressed and the weather of overcast and rainy days intensified these feelings. But it also created a sense of timelessness, a suspension of reality that inspired my imagination. As I photographed I found humor and irony in their mortality and beauty in small things.

The Art of Brooke Hammerle

Red Leaves Ascending
color photograph
Red Leaves Ascending
22x33"
700
Gutter Stillife
color photograph
Gutter Stillife
21x32"
500
NEKE
color photograph
NEKE
21x32"
500
Downd Space Capsule
color photograph
Downd Space Capsule
21x32"
500
Orange Glove
color photograph
Orange Glove
21x32"
500
Cigarette Butt
color photograph
Cigarette Butt
21x32"
500
Pink Balloon
color photograph
Pink Balloon
21x32"
500
Tangle Free
color photograph
Tangle Free
21x32"
500
Canned
relief collage/sculpture
Canned
8x10"
350
UFO
relief collage/sculpture
UFO
8x10"
350
Ariel
relief collage/sculpture
Ariel
8x10"
350
Solar Surfer
relief collage/sculpture
Solar Surfer
8x10"
350
Hill of Dreams
relief collage/sculpture
Hill of Dreams
8x10"
350
Recumbent
relief collage/sculpture
Recumbent
8x10"
350
Dinosaur
relief collage/sculpture
Dinosaur
8x10"
350

Meredith LeBlanc


Bio: As the daughter of an artist, Meredith LeBlanc was fortunate to have the encouragement to explore being creative in any way possible. After a 34 year break from the easel, in 2019 she was inspired by an artist friend to rediscover this creative outlet and to get lost in the luxury of the oil paint and color. Each time she steps up to the easel and places her brush on the canvas is a learning experience. Feeling the sensuousness of the paint itself, the vibration of blending the colors, and the emotion that arises as she works. This exploration has increased her appreciation of all artists and their work. It has given her the gift of a new viewpoint. It has lessened her personal need for perfection and to let her flow be more natural. She looks forward to this ongoing artistic journey.

Artist Statement: My intention as an artist is to share what brings me joy and peace. My inspiration arises during meditation, dreams, and walking my favorite muse, my pug Scarlet. Whether it is flowers, water, an intriguing detail - the beauty of the object creates vibration in me to create something to share what I feel through paint and canvas. Even in turbulent times, I rely on my visual imagery to find the light and inspiration to bring optimism to my life and hopefully to those around me.

The Art of Meredith LeBlanc

Yggdrasil (Tree of Life)
Oil and Acrylic on Canvas
Yggdrasil (Tree of Life)
36 x 36
750
Queen of the Park
Oil on Canvas
Queen of the Park
24 x 36
750
Poppies
Oil on Canvas
Poppies
12 x 16
125
Crocus
Oil on Canvas
Crocus
8 x 8
95
Two Wild & Crazy Guys
Oil on Canvas
Two Wild & Crazy Guys
12 x 16
125
Rose
Oil on Canvas
Rose
8 x 8
95
Peace and Love
Oil on Canvas
Peace and Love
16 x 20
200
Lotus
Oil on Canvas
Lotus
12 x 12
115
Ruby
Oil on Canvas
Ruby
6 x 6
65
Linked
Oil on Canvas
Linked
8 x 10
100
Meditation: The Space Between
Oil on Canvas
Meditation: The Space Between
20 x 20
250
The Tower
Oil on Canvas
The Tower
24 x 24 500
Clearing
Oil on Canvas
Clearing
20 x 24 250
Clematis
Oil on Canvas
Clematis
8x8 65
Yellow
Oil on Canvas
Yellow
9x12
75

DeBlois Members' Art

Shawndavid Berry

Groove Was in Her Heart

The image that fills this small painting is complicated. It suggests conflict and crossed purposes, a combination of organic shapes and thick fog; a solid gourd growing out of a bed of dreams. Buried within the bulging forms, a head blooms. Perhaps screaming. I don't know what I'm looking at: is it a conventional still-life of vegetables and lilies viewed through a trans-dimensional lens? Or is it something dredged up from the depths of the ocean, only to disintegrate at the surface? Is it a moment of transformation during which neither the beginning nor the end is recognizable? Will it change every time we look at it? Is it safe to look away? Is it safe to look at it? This is a painting that will smoulder wherever it is placed, a silent furnace of the kind that never goes out.

Groove Was in Her Heart
Oil on canvas; 24" x 24"; 125

Ron Caplain

Untitled
digital photography
Untitled
20x24; 200

Ron Caplain

Untitled
digital photography
Untitled
20x24; 200

Ron Caplain
digital photography

Untitled
Untitled
20x24; 200

Valerie Debrule

Greenmen
Acrylic and mixed media
Greenmen
13"x13"; 230 each

Kelley Donnelly

Circus
Mixed Media
Circus
20" x 20"; 325

Kelley Donnelly

Gloves Off
Mixed Media
Gloves Off
24" x 30"; 325

Mandy Howe

Out West, from the America Series
acrylic, charcoal, collage, oil pastel, watercolor on canvas
Out West, from the America Series
24"x36"; 300

Mandy Howe

Out West (detail)
acrylic, charcoal, collage, oil pastel, watercolor
Out West
24"x36"; 300

JR Lynch

Take Off
Black and White Digital Photograph
Take Off
29" x 22; 350

JR Lynch

On The Ground
Black and White Digital Photograph
On The Ground
29" x 22; 350

Karen Nash

Ceiba (World Tree)
2-sided Styrofoam collage, side 1
World Tree
24" x 24"; 175

Karen Nash

Green Goddess
2-sided Styrofoam collage, side 2
Green Goddess
24" x 24"; 175

Karen Nash

Washed Ashore in Senegal
Photo collage on board and rags
Washed Ashore in Senegal
18" x 22"; 170

Michael O'Donnell

Matunuck Malevic
Acrylic on canvas

A long white fence fills the painting, end to end. Does it keep the viewer out or invite us to jump over it? I decide to enjoy the fence itself: the grain of the wooden posts, the pleasure (perhaps only imagined by me) of creating small differences within the rigid sameness of each post, the white bars scratched against the grey sky, the cool mood, the cold weather. The dense colour of the signboard, so hard and flat in contrast to the grass, equally dense but soft. In the distance, the buildings like punctuation marks in a poem about resilience. About boundaries. About territory. About a place that might not be home.

Matunuck Malevic
20”x48”; 800

Manjula Padmanabhan

GRASS
Paper collage, 3D Paint, Acrylic sheet
GRASS
16"x20"; 300

Manjula Padmanabhan

AFTERNOON
Paper collage, 3D Paint, Acrylic sheet
AFTERNOON
18"x 24"; 350

Valorie Sheehan

Our Lady of Hope
Stoneware
Our Lady of Hope
20”x6”x34”; 500

Virginia Stone

Masked
collage and prismacolor
Masked
10.5" x 13"; 50

Virginia Stone

It Shouldn't Be This Hard
Ink, prismacolor, watercolor and collage
It Shouldn't Be This Hard
10.5" x 12"; 50

Marion Wilner

Ledge Road Rocks
Watercolor and ink
Ledge Road Rocks
22"x28"; 1,200