Through
her artwork, Allison Elia aims to capture “sculptural snapshots”
that reveal the transient internal experiences deeply embedded
in an individual’s memory. She uses dance and underwater
photography as references for the dynamic poise and gesture
displayed in each piece. The conceptual narrative of each
sculpture explores the coexistence of guilt and weight, hope and
buoyancy that we all feel.
B. L. Green explains her process this way: “White paper, a drop
of water, brush charged with pigment -- the magic of water
color!” Her fascination with the medium of water color has
lasted over 50 years. “My larger studio paintings evolve from
what I observe in nature,” transforming, through brush-strokes
into patterns of flowing water, ripples or ice flows. “Just like
in chess, the next move is reaction after reaction in
brushstrokes, edges, light and dark or more color. The painting
paints itself!”
In his body of work, Brian Simas pays homage to old masters such
as Albrecht Dürer and Katsushika Hokusai. He works primarily in
a dark, monochromatic scheme. Finely detailed line-work and bold
contrasts in layout characterise his prints and sumi-e
paintings. His subject matter varies from moody, imaginary
settings and figures to nature studies and quasi abstractions of
his own personal experiences and interests.
According to Kimberly Smiley, creativity is a spiritual journey
that helps her break through the boundaries that have held her
back. Working from sensory memories, she creates pieces that
express her own growth, her artist's journey: breaking through
confinement and repression to find her voice and express it
visually. Vulnerable, yet powerful, her art provokes viewers to
find their own meanings and interpretations.
I'm an interdisciplinary artist who loves to dream, create, and inspire. My ceramic art ranges in size from handheld sculptures to life-size figures that get their own seat belts to ride to galleries. I aim to create "sculptural snapshots" that express the coexistence of guilt and weight, hope and buoyancy within a person. My paintings and drawings are surreal explorations from the visual inspiration of my sketches. Above all else, my sculptures and paintings speak of resilience, breakthrough, and new beginnings.
White
paper, a drop of water, brush charged with pigment ----The magic
of watercolor!
This has been my fascination with the medium of watercolor for
over 50+ years. My larger studio paintings evolve from what I
observe in nature and then recall, for example, from my mind as
patterns of flowing water, ripples, or ice flows with the
freedom of a brushstroke. Sometimes it is color as it flows in a
wash on the paper. Just like in chess, the next move is reaction
after reaction in brushstrokes, edges, light and dark or more
color. The painting paints itself!
In my body of work I rely and pay homage to the old masters such as Albrecht Dürer and Katsushika Hokusai. Working primarily in a dark, monochromatic scheme, the bold and graphic contrast of my marks along with a detailed line language is consistent throughout my prints and sumi-e paintings. My subject matter varies from moody, imaginary settings and figures to nature studies and quasi abstractions of my own personal experiences and interests. I find further satisfaction in studying and rendering patterns and detail.
Tomorrow is today! For me, creativity is a portal that is guiding me on a spiritual journey. It is allowing me to move out of the repression of my past into endless possibility. I am grateful I get to show my vulnerability, courage, and growth. My goal is to maintain the perception of my inner child...free to play with different mediums, texture, and color! Free to make marks! All while learning the language of the heart. Art goes deeper than thought.
Inspired by watching her mother create art, Lisa Bliss has enjoyed painting and drawing from an early age. Although she enjoys working in several mediums, watercolor is her favorite. She loves painting portraits, still life, and landscapes (especially plein air).
Seaweed fused to paper - scanned into computer - added fish with AI - and adjusted with Topaz Studio.
My daily ritual is to walk several miles, watching and listening, trying to capture in light, color, and form in what I see. I have a special affection for wild creatures, especially birds, whose colors, shapes, and poses captivate me, and I have worked hard to identify the birds around me even through their songs. Through my work, I want to share the many faces of nature, the wildness of spirit, and the interplay of light and shadow woven into the tapestry of the natural world.
An Omphalos is a sacred vessel, placed in a holy place and (here) it marks the "navel of the World" . This was placed in the sacred temple in Delphi, Greece (see green object behind man and woman). Christianity, Hinduism, and Judaism all have their separate Omphalos in special locations. The evolvement of the first man and woman takes place beside the "Tree of Life" symbol and the Omphalos
Meredith LeBlanc’s goal as an artist is to share what brings her joy and happiness. She is inspired by nature, flowers, color, and her pug Scarlet. Her time at the easel is restive and freeing, a journey into herself to learn and grow. Feeling the sensuousness of the oil paints, the vibration of blending the colors, and the emotion that arises from this has lessened her personal need for perfection and to let her flow be more natural. Painting has also become a necessity in her life, a way to renew her brain and her heart.
I am an image maker. I create artwork using my digital camera. I try to discover a moment an capture it with my camera. While I prefer people , I many other subjects interesting.
The Khajuraho Temple relief that I made is a reproduction of one of the over 200 carvings that decorate this phenomenal shrine to Lord Shiva.
The legend of blues man Robert Johnson selling his soul to the devil in order to become a great guitar player is what this painting is all about. It’s a Faustian tale set in the Mississippi delta and haunts many a wanna be picker; would you meet up with Mephistopheles in this pursuit?
These drawings are part of a series of mine, called “STREET LIFE”. They are studies in pastel colour pencils, of scenes from the street.
Mixed media works that play with the transparent quality of paper and encaustic wax.
Exploring new materials inspired by others using my techniques